Taking the first step into Mark Chilton’s exhibit is like stepping into another world; figures draped in textured swaths hang from the ceiling, red balls of cloth and floral textiles suspended above their forms, disconnected from their bodies, while the photographic portrait of a man, a solitary male figure, stands adjacent: a humanistic pairing to the designs. This world is one that connects the viewer to an era that merged two times: the past, tradition and human creation, and the modern, edge and manufactured substances. Read the complete story in The East.
Putting the cart before the horse, or in this case, before the bus
Why are certain cities pouring millions into green transit when they have yet to master the basics of transit itself?...
