Taking the first step into Mark Chilton’s exhibit is like stepping into another world; figures draped in textured swaths hang from the ceiling, red balls of cloth and floral textiles suspended above their forms, disconnected from their bodies, while the photographic portrait of a man, a solitary male figure, stands adjacent: a humanistic pairing to the designs. This world is one that connects the viewer to an era that merged two times: the past, tradition and human creation, and the modern, edge and manufactured substances. Read the complete story in The East.
The Anglophone Rights Association of New Brunswick does not represent us
With the upcoming review of the Official Languages Act, the self-styled Anglophone Rights Association of New Brunswick (ARANB) is once...
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